American Studies

This class explores how material culture, the physical stuff that is part of human life, is used to help to construct and express gendered and other forms of difference. We will look at how bodies and clothes shape our understanding of our own and others' identities, how we imbue objects with gender, how the food we cook and eat carries cultural meanings, and how the design of buildings and spaces structures gender.

This class explores the political connections between race, gender, and music. The course considers questions of representation, the practice and politics of listening, the political and economic modes of production, and racial formation. In order to explore these topics, this version of the course is broken into three thematic sections: Sound, Score, and Structure. The course is taught intersectionally, meaning we will deal with issues of race, gender, sexuality, labor, and national identity. 

This course provides an introduction to film studies through an examination of American film throughout the 20th & 21st centuries. We will learn basic film techniques for visual analysis, and consider the social, economic, and historical forces that have shaped the production, distribution & reception of film in the US Examples will be drawn from various genres: melodrama, horror, sci-fi, musical, Westerns, war films, documentary, animation, etc.

In the 1930s, many people employed in the German film industry whose lives were threatened by Nazism took refuge in Hollywood. This course examines the contributions exiled directors, writers, actors, and others made in genres ranging from comedy and melodrama to film noir. In addition to indicting fascism and reflecting on the trauma of forced migration these films often turned a critical eye on the U.S..

This course offers a fast-paced history of popular music in the United States since 1970.  Instead of following a chronological time-line of a half a century, the course is organized around the sounds and stories of seven major genres: rock, R&B, country, punk, hip hop, dance music, and pop.  We will pay particular attention to the shifting meanings of these genres over time, to how they change, collude, collide, and create continuity in both sound and community.  

Topics vary according to instructor.

New Course in the subject of American Studies

Asian Americans and Popular Culture surveys a history of Asian American racialization, experiences, and subject formation in the United States through film, comics, TV, theatre, music, public protest, sports, and social media. Students will learn how to analyze and develop creative work to respond to and re/frame debates on the politics of representation, exoticization, cultural appropriation, transnationalism, hybridity, and US immigration laws.

In the US, Vietnam signifies not a country but a lasting syndrome that haunts American politics and society, from foreign policy to popular culture. But what of the millions of Southeast Asian refugees the War created? What are the lasting legacies of the Vietnam War for Southeast Asian diasporic communities? We will examine literature and film (fictional and documentary) made by and about Americans, Vietnamese, Cambodians, Laotians, and Hmong.

Students will learn to use digital mapping and narratives as tools of reparative history. The class will partner with community organizations documenting Black history in Virginia. Students will do research in historical archives and public records; interview community members; and participate in field work. Readings will address ethical aspects of doing community history and explore approaches to the history of slavery and Reconstruction.

This course explores the origins and impacts of American hip-hop as a cultural form in the last forty years, and maps the ways that a local subculture born of an urban underclass has risen to become arguably the dominant form of 21st-century global popular culture. While primarily focused on music, we will also explore how forms such as dance, visual art, film, and literature have influenced and been influenced by hip-hop style and culture.

Iconic American sites such as Monticello, Walden Pond, and our network of national parks have inspired generations of Americans. But displacement is just as much a part of our national identity. In this class we will analyze fiction, journalism, film, paintings, photographs and other elements of visual culture that document the stories of Indigenous dispossession, housing discrimination, Japanese internment, redlining, gentrification, and homelessness. 

This class examines the history of voluntary, coerced, and forced migration in the U.S., tracing the paths of migrating groups and their impact on urban, suburban, and rural landscapes. We'll dig for cultural clues to changing attitudes about migration over time. Photographs, videos, books, movies, government records, poems, podcasts, paintings, comic strips, museums, manifestos: you name it, we'll analyze it for this class.

Analyzes selected works of literature by major Southern writers. For more details on this class, please visit the department website at http://www.engl.virginia.edu/courses.

In this course we will read texts by Latinx writers from Puerto Rico, Cuba and the Dominican Republic. We will explore how their works speak to issues of race, colonialism and imperialism based on their individual and shared histories. We will discuss their different political histories and migration experiences and how these in turn impact their literary and artistic productions in the US.

Harlem has been many things to many people - capital of a global African diaspora, an early instance of Italian and Jewish immigrant communities, home to an important "el barrio," a representative site of contemporary gentrification and, above all, a place for racial and ethnic minoritization. This course will explore many of those lived and symbolic Harlems from the early twentieth century to the present.

This seminar is intended to focus study, research, and discussion on a single period, topic, or issue, such as the Great Awakening, the Civil War, the Harlem Renaissance, the Great Depression, or the 1960s. Topics vary.

New Course in the subject of American Studies.

In this course, we will study the intersection of social scientific and humanistic scholarship, showing how the prison deploys and produces gender and its imbrications with race, class, and sexuality as a tool of control, punishment, and dehumanization. Our materials will highlight the experiences of women as we consider the carceral state that is fundamentally organized by gendered assumptions that shape the experiences of all social groups.

An elective course for students in the Asian Pacific American Studies minor. Students will work with an APAS core faculty member to support the student's own research. Topics vary, and must be approved by the APAS Director. 

An elective course for American Studies majors who have completed AMST 3001-3002. Students will work with an American Studies faculty member to support the student's own research. Topics vary, and must be approved by the Program Director. Prerequisite: AMST 3001, 3002, Instructor Consent.

Students spend the fall semester of their 4th years working closely with a faculty advisor to conduct research and begin writing their Distinguished Majors Program (DMP) thesis.

This workshop is for American Studies majors who have been admitted to the DMP program. Students will discuss the progress of their own and each other's papers, with particular attention to the research and writing processes. At the instructor's discretion, students will also read key works in the field of American Studies. Prerequisites: admission to DMP.

The course is run as a workshop, a space for students to learn oral history methodologies in a hands-on manner. In partnership with local/regional organizations, students will learn to conduct interviews and related research, which may include completing historical surveys, doing genealogical work, & completing archival or database research. Students will learn new skills while helping expand historical archives and knowledge of regional history.

Various topics offered in American Studies at the graduate level