American Studies

This course examines the history of slavery and its legacy at UVA and in the central Virginia region. The course aims to recover the experiences of enslaved individuals and their roles in building and maintaining the university, and to contextualize those experiences within Southern history.

This course examines the post-1865 history at UVA and in the region, recovering the experiences of African Americans in building community in the face of racism, and also contextualizing those experiences within U.S. history. The course situates that local history in political and cultural context, tracing the advent of emancipation, Reconstruction, Jim Crow, desegregation, civil rights change, and even twenty-first century racism and inequality.

New Course in the subject of American Studies

This course introduces students to American Studies, the interdisciplinary study of US culture. Students will be exposed to the three main categories of American Studies methods, historical analysis, close analysis, and fieldwork and to a broad variety of cultural forms, including films, photographs, music, sermons, journalism, fiction, speeches, court decisions, government documents, and web-based materials including social media sites.

This course treats a range of contemporary English language literatures about girlhood. Our comparative analyses of texts will pay particular attention to their play with genre and their use of literary devices -- e.g., structure, voice, point of view, dialogue, temporality, language -- to render narratives about girlhood in contexts of (im)migration, loss, displacement, violence, revolution, war, and trauma.

This course explores the diverse and also converging experiences of Latinos in the US. We will read contemporary novels and poetry by Latinx authors from different Latinx groups (Chicano, Puerto Rican, Cuban, Dominican, Central American and South American). We will discuss reasons for migration, concepts of the "border" and the impact of bilingualism on group identity. We will view films that depict the Latinx experience in the US.

This course examines foodways (the ideas, practices, and material realities surrounding food) through the interdisciplinary lens of American Studies. Focusing on borderlands as sites of cultural exchange, conflict, and creativity, we will explore how food shapes and is shaped by histories of migration, empire, race, class, gender, and labor.

This course analyzes 'point-of-view' journalism as a controversial but credible alternative to the dominant model of ''objectivity' in the U.S. news media. It will survey point-of-view journalists from Benjamin Franklin to the modern blog.

Topics vary according to instructor. The goal of the course is to introduce students to interdisciplinary work in American Studies by juxtaposing works across disciplinary boundaries and from different methodological perspectives.

New Course in subject of American Studies.

What does "spiritual but not religious" mean, and why has it become such a pervasive self-description in contemporary America? This interdisciplinary course surveys spirituality in America, with a particular eye for the relationship between spirituality and formal religion, on the one hand, and secular modes of understanding the self, such as psychology, on the other.

This interdisciplinary course covers the American South to the Civil War. While the course centers on the visual arts- architecture, material culture, decorative arts, painting, and sculpture- it is not designed as a regional history of art, but an exploration of the interrelations between history, material and visual cultures, foodways, music and literature in the formation of Southern identities.

This seminar course will introduce majors to various theories and methods for the practice of American Studies. The three goals of the seminars are (1) to make students aware of their own interpretive practices; (2) to equip them with information and conceptual tools they will need for advanced work in American Studies; and (3) to provide them with comparative approaches to the study of various aspects of the United States. Prerequisites: American Studies Major

An interdisciplinary introduction to the culture and history of Asians and Pacific Islanders in America. Examines ethnic communities such as Chinese, Japanese, Filipino, Korean, Asian Indian, and Native Hawaiian, through themes such as immigration, labor, cultural production, war, assimilation, and politics. Texts are drawn from genres such as legal cases, short fiction, musicals, documentaries, visual art, and drama.

This course explores the critical and the constructive dimensions of African American political thought from slavery to the present. We will assess the claims that black Americans have made upon the polity, how they have defined themselves, and how they have sought to redefine key terms of political life such as citizenship, equality, freedom, and power.

The presentation of history to the public--at historic sites, museums, databases--is "public history." This class investigates the public history of slavery in Virginia with readings, research, and tours of historic sites. Students work with GIS specialists in Scholars' Lab; Special Collections curators; and local groups using new technologies to document hidden or erased histories of African American life.

Hands-On Public History is designed as a year-long course. This course continues the curriculum of AMST 3221.

This course studies modern racial protest expressed through African American narrative art from the 1930s to 1980s, focusing on Civil Rights, Black Power, Black Panthers, womanism, black gay/lesbian liberation movements, and black postmodernism. We begin our study with the most famous protest novel, Richard Wright's Native Son. Then we examine other narratives including works by Angelo Herndon, Ann Petry, James Baldwin, Martin Luther King, Jr.

An intro to the broad field of Native Studies, this class focuses on themes of representation and erasure. We read Indigenous scholars and draw from current events, pop culture, and historical narrative to explore complex relationships between historical and contemporary issues that Indigenous peoples face in the US. We examine the foundations of Native representations and their connections to critical issues in Native communities.

AMST 3300 offers students close study of significant texts and other cultural forms representing the perspective and contributions of the main Latinx populations in the United States--including those of Puerto Rican, Chicano, Dominican, Central American and Cuban American origin--in historical context and within a theoretical, analytical framework.

This course examines the construction of race and ethnicity in Latinx literature by examining key texts by individuals from varying Latinx groups in the US. We will examine how US-American identity shapes Latinx notions of race and how the authors' connections with Latin America and the Caribbean do the same. We will explore from a hemispheric perspective how race and ethnicity are depicted in Latinx literature and culture.

This course offers a survey of Latinx literature and film from a hemispheric perspective. Engaging texts from colonial times to the present day, we explore how the histories of the US, Latin America, Europe, Africa and Asia come together to produce novels, poems, essays and films that are now referred to as distinctly Latinx.

This course examines the relationship between Latinx and Indigenous communities and the environment from a sociocultural, anthropological and historical perspective.Texts encompass the fields of history, anthropology, sociology, environmental studies, and often require thinking and analysis that questions understandings of land, development, race, science, health, and wellness on a state, local, and international level.

This class explores how re-occurring images of racial and ethnic minorities such as African Americans, Jews, Asians, Native Americans and Latino/as are represented in film and shows visual images of racial interactions and boundaries of human relations that tackle topics such as immigration, inter-racial relationships and racial passing.

This course analyzes 'point-of-view' journalism as a controversial but credible alternative to the dominant model of 'objectivity' in the U.S. news media. It will survey point-of-view journalists from Benjamin Franklin to the modern blog.