• DRAM 2430

    Production Laboratory: Performance
     Rating

     Difficulty

     GPA

    3.93

    Last Taught

    Spring 2026

    Application of performance skills in the production of a theatrical work. Course can be repeated up to four times. Prerequisite: Instructor permission

  • DRAM 2559

    New Course in Drama
     Rating

    4.17

     Difficulty

    2.50

     GPA

    3.43

    Last Taught

    Spring 2026

    New course in the subject of drama.

  • DRAM 2620

    Sound Design
     Rating

    4.52

     Difficulty

    2.09

     GPA

    3.91

    Last Taught

    Spring 2026

    Students will explore the sonic qualities of sound and music through discussion, construction, critical listening, and demonstration.

  • DRAM 2630

    Production Laboratory: Sound
     Rating

     Difficulty

     GPA

    3.89

    Last Taught

    Spring 2026

    Application of sound technology in laboratory production projects. May be repeated up to four credits. Prerequisite: permission of instructor.

  • DRAM 2840

    Design Studio Lab
     Rating

     Difficulty

     GPA

    Last Taught

    Fall 2025

    This is a hands-on course in which students work closely with the instructor to research and develop creative design solutions for performing arts and theatrical productions. It provides students a working forum to collaboratively and independently experiment with and apply principles, methods, and elements of design and design process to specific projects. May be repeated up to four credits.

  • DRAM 3030

    Dramaturgy: Crafting Stories for the Stage
     Rating

     Difficulty

     GPA

    3.63

    Last Taught

    Spring 2026

    This course immerses students in the art of dramaturgy through embodied storytelling across theatre, music, dance, film, and multimedia. Students explore the dramaturge¿s role in shaping creative processes, the impact of storytelling, and strategies for inclusive dialogue in design, rehearsal, and performance contexts. Through critical reading, analysis, and project-based learning, students build skills to support artists and performance-making.

  • DRAM 3050

    Making Theatre Histories
     Rating

    2.85

     Difficulty

    2.56

     GPA

    3.43

    Last Taught

    Spring 2026

    How do theatre artists and scholars navigate the past and its effects on the present? This course will introduce you to important moments in theatre history, and show you how to analyze the formation of historical narratives through a variety of lenses and methods. Units are not organized chronologically, but thematically so that we may draw deeper connections across artistic practice, time, place and culture.

  • DRAM 3070

    African-American Theatre
     Rating

     Difficulty

     GPA

    3.29

    Last Taught

    Spring 2026

    Presents a comprehensive study of 'Black Theatre' as the African-American contribution to the theatre. Explores the historical, cultural, and socio-political underpinnings of this theatre as an artistic form in American and world culture. Students gain a broader understanding of the relationship and contributions of this theatre to theatre arts, business, education, lore, and humanity. A practical theatrical experience is a part of the course offering. Prerequisite: Instructor permission

  • DRAM 3080

    Script Analysis: Dramatic Structure and Theatrical Production
     Rating

    4.11

     Difficulty

    2.67

     GPA

    3.63

    Last Taught

    Spring 2026

    Analysis of representative play scripts to discover how structure and language support conceptual and stylistic choices in production.

  • DRAM 3090

    Theatre and Social Change
     Rating

     Difficulty

     GPA

    Last Taught

    Fall 2025

    The goal of this class will be to identify the values and worldviews that drive change-oriented artistry, and for students to identify the values and worldviews that drive their own artistry. The course will explore the forms of community-based performance including ensemble, devised, religious, activist, educational and autobiographical performance.