This class will introduce students to the tools, techniques, and problem-solving of building creature puppets. Mentored by professional creature artists, students will explore fabricating skin textures and patterns, structures, material experiments, and mechanisms. Working both individually and collectively, the class will culminate with a wearable creature piece or puppet for the Stan Winston and Steven Warner Festival of the Moving Creature.

In this studio course, students will explore various styles of western modern/contemporary concert dance as technical, expressive practices. Through movement combinations, improvisation, and mini-studies, students will work to deepen body awareness through modern and contemporary movement practices. Working towards efficiency and dynamic alignment, students will increase strength, flexibility, and become more articulate, expressive dancers.

Encourages the development of the director's analytical and rehearsal skills in translating text, actors, and space into valid and effective scenes; drawn from plays in the mode of psychological realism. Prerequisite: Dram 2020 required, and Dram 2010 preferred; Instructor permission

What does it mean to produce theater? Is a theater producer an artist, a business leader, a visionary, or all the above? Participants will collaborate to produce a piece of contemporary theater with hands-on application of artistic, leadership and collaborative practices. Course discussions and projects will cover theater organization, mission, and legal structure, as well as collaborative creation, artistry, and design.

This course provides a practical forum to employ and integrate a diverse array of existing and emerging media technologies into live performance and performative storytelling. Students will explore and experiment with new media-infused design approaches to enhance the narrative and to actively engage, communicate, and interact with the audience.

Explores basic theories and techniques of acting through exercises, improvisations and scenes from contemporary dramatic literature.

This course is an introduction to dance in the context of performance on stage, on screen, and in public space. Through viewings, discussions, and practical dance experiences, students will deepen their understanding of how dances are created and how dance shapes and is shaped by the world around it. Students will engage with a wide range of styles, historical periods, and creative approaches to consider how dance matters.

Examines the art of theatre and performance through the process of design and the implementation of the design.

Combining creative practice and critical discourse, this hands-on course grants students an opportunity to learn and utilize the crafts of digital video design in the context of contemporary installation, projection and performance arts. Students experiment with the many ways of designing time-based media and explore the role of video storytelling in the topography of 21st-century theater and live performance.

This open-level studio course allows students to explore dance improvisation as a practice of attention, care, and relation. Through improvisational methods and structures, students will develop their skills as improvisers and begin to appreciate improvisation's role in composition (choreography), performance, and daily life.