Introduction to Lithography (planographic), and woodcut and other relief printmaking processes.

The Art History Practicum course places added emphasis on immersive experience and the active construction of knowledge, involving hands-on projects, experiments, lab work, and field trips of varying lengths, including on-site studies at archaeological sites, laboratories, or museums.

CASS 1010 is a required seminar class for Miller Arts Scholars. Faculty from Music, Studio Art, Drama, Creative Writing, and Dance, second through fourth-year Arts Scholars, and others will share aspects of their personal research, thoughts about Arts at the University, practical applications of an Art Major after college, etc. Requisite: Instructor Permission

CASS 1011 is a discussion course for programmatic development, sharing ideas, and mentoring for first through fourth year Arts Scholars. Prerequisite: Instructor Permission

Throughout history, artists, philosophers, & scientists have consistently sought to situate themselves within the cosmos & comprehend its heavenly machinery. This course traces the development of scientific, political, spiritual, magical, & intellectual technologies of power that have tied individuals to their views & uses for astronomy. Topics include: stars & rule, astrology, Ptolemy, alchemy, magic, medicine, Galileo, Chesley Bonestell, Remedios Varo, Kambui Olujimi, Star Trek, & Star Wars.

This course introduces the art forms, trade objects, & religions that flourished along the historical Silk Road. Stretching 8000km, the Silk Road is a network of trade routes that provided a bridge between the east & west between the 1st & 14th centuries CE. The Silk Road flourished as a commercial & at times military highway. But more than that, it was a channel for the transmission of ideas, technologies, & artistic styles, with far-reaching impact beyond China & the Mediterranean world.

An art class that introduces the creative use of digital tools within the fine art context. Students will both learn processes and history of experimental art and practice the use of the computer as a tool for personal expression.

In this interdisciplinary studio course students will investigate 'prior conditions of existence,' study critical theories, and produce artworks inspired by the archive. Students will research archive-related topics of their choosing, and synthesize readings and research through written and oral communication. They will develop critical thinking skills through the production of artwork and engagement in group critiques.

This course is designed to familiarize you with the major themes, issues, and questions being pursued in today's art world. Focusing on the last twenty years, the class is organized around five themes that define the majority of art being made today: portraying, experiencing, performing, reproducing, and agitating.

An introduction to the specialized materials, methods, processes, and cultural issues as they relate to the history and practice of cinematography.