Not open to students already qualified to elect MUSI 2302 or 3310. Study of the rudiments of music and training in the ability to read music. Prerequisite: No previous knowledge of music required.

Symphonic Listening focuses on the sounds and forms of symphonic music. Listening skills are emphasized, with no prior musical knowledge required. We will learn to recognize orchestral instruments by their timbre, discern levels of consonance and dissonance, identify types of textures, and think critically about how musical content expresses cultural context. Students will gain a framework for understanding symphonic music of any genre.

The class is designed to give an introductory look at wind band music development from the early 20th century to present. The class does not require any previous musical experience. The course provides students with historical facts surrounding the wind band movement while allowing students to experience the music aurally.

We often wonder about an artist's immense creativity, seemingly harnessed with ease. Each of us has tremendous resources of creativity, often under-explored. In this course, students learn to unlock their own potential. No previous artistic experience is required. Activities include readings & discussions; weekly responses; two reflective papers; a presentation on a "found" resource; & one creative project in a medium of the student's choice.

Scholarly and critical study of music circulated through mass media. Specific topic for the semester (e.g. world popular music, bluegrass, country music, hip-hop, Elvis Presley) announced in advance. No previous knowledge of music required.

Centrally, close study of the Beatles' music, along with biographies, relation to the history of American rock 'n' roll, the breathtaking early years, the devastating new sonic landscapes of their later studio work, and the context of the 1960s--that turbulent decade that shaped, and was shaped by, these four English lads.

When we think about knowing the world through the senses, we are likely to think of the visible world. But sound, hearing, and listening are crucial too. How do sound art, technology, and design create the world we inhabit and our everyday social and political experience? How can vibrations both heal and destroy? We will ponder such questions through theoretical, experiential, and creative explorations.

Listening sets us up to be involved fully in the life around us, and to be interactive in communities that create together. This course explores listening and sound-making in daily life from many angles including field research, reading, writing, discussion, and group performance workshops. We explore ideas about improvisation, uniting the aesthetic sphere with the broader sphere of social life and active engagement.

Individual instruction in musical performance. Details available here: http://artsandsciences.virginia.edu/music/performance/privatelessons/index.html. May be repeated as often as desired, but no more than 16 performance credits may be applied toward the baccalaureate degree in the College, with an additional 4 available for Distinguished Majors. There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.

Individual instruction in musical performance. Because the subject matter changes each semester, courses numbered MUPF 2110 -2181 may be repeated as often as desired, but no more than eight performance credits may be applied toward the baccalaureate degree in the College. (S) There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.