In this course, we will examine the history of the Ottoman Empire through social, political and cultural changes and transformations. We will do this through concepts and phenomena such as state and empire formation, capitalism, class struggle, imperialism, colonialism, orientalism, nationalism, nation-building, patriarchy, and ethnic engineering. We will discuss each period and theme within a global framework.

A comprehensive overview of contemporary Arab women's literature, this course examines all Arab women's literary genres starting from personal letters, memoirs, speeches, poetry, fiction, drama, to journalistic articles and interviews. Selected texts cover various geographic locales and theoretical perspectives. Special emphasis will be given to the issues of Arab female authorship, subjectivity theory, and to the question of Arab Feminism.

This course is devoted to the longstanding screen histories of A Thousand and One Nights. We will investigate the way in which the text has variously congealed into a cinematic genre in its own right; a catapult for explorations of the fantastic, iterated as the wonders of technology/medium and sensuality; a contested site of negotiating Orientalist desires and stereotypes; and a platform for reflection upon the question of storytelling itself.

The course focuses on two key twelfth-century texts: Nasrullah Munshi's Kalila and Dimna (translated by Wheeler Thackston), a collection of animal fables--featuring lions, jackals, elephants, hares, tortoises, snakes, ducks, and even ants--rooted in Indian and Persian moral traditions; and Farid ud-Din Attar's The Conference of the Birds (translated by Afkham Darbandi and Dick Davis), a Sufi allegory exploring the soul's journey. 

This course aims to introduce students of third-year and fourth-year Arabic to Arabic poetry and culture through classical and contemporary songs. Many Arabic songs are taken from poems and they reflect different literary trends: romantic, religious, patriotic, Sufi, and contemplative poems. We will explore these poems, their impact on the Arabic collective unconscious, and cultural influence when turned into songs.

The course will concentrate on cinemas of Egypt, the Maghrib (Morocco, Algeria, Tunisia) as well as Syrian and Palestinian films. It will examine major moments in the history of these cinemas and the political developments that have inevitably had a major influence on filmmaking in the region.

In this course, we will examine how the current refugee crisis may be seen as a radical event of a scope that reaches beyond Europe and the Middle East. We will be looking at previously-shaped images of nation, religion, migration, and integration, as well as asylum, refuge, and citizenship. Ultimately, we will be using our newly gained knowledge as a tool to understand cultural inclusion and societal exclusion both "far away" and "at home."

This course provides a close look at Palestinian cultural and literary production within the State of Israel. Muslim and Christian Palestinian citizens of Israel. With the support of region-specific theory, and through a continuous engagement with (the English translation of) literature, music, film, spoken word, visual art, political speeches, and newspaper articles, you will develop a critical understanding of the multifaceted, contemporary manifestation of Palestinian voices in Israel.

New course in Middle Eastern Studies.

How do we know what we know, and why do we feel what we feel, about Israel/Palestine? This course challenges us to reflect on this question by offering key perspectives on both the modern history of Palestine/Israel, on the one hand; and the modern history of film, on the other, through a unique set of "outsider" films about Israel/Palestine from across the Middle East and South Asia.