• MESA 2300

    Crossing Borders: Middle East and South Asia
     Rating

    3.00

     Difficulty

    2.00

     GPA

    3.77

    Last Taught

    Spring 2025

    Survey of the Indian Ocean history from 8000 BCE to present. Includes rise of major religions in the area, dynamics of trade, including the influence of European expansion and the resistance to it.

  • SATR 3000

    Women Writing in India & Pakistan: 1947-Present
     Rating

    4.67

     Difficulty

    2.20

     GPA

    3.78

    Last Taught

    Spring 2026

    We will read and critique the fiction and poetry of culturally specific regions while reflecting on the assumption that experiences and identities are fundamentally gendered. We will explore issues associated with women writing in regional languages to writing in mainstream languages like Hindi, Urdu and English. We will also examine how the publication and dissemination of women's texts are related to the women movements in India and Pakistan. Prerequisite: Completion of First Writing Requirement

  • MEST 2270

    Culture and Society of the Contemporary Arab Middle East
     Rating

     Difficulty

     GPA

    3.79

    Last Taught

    Spring 2026

    Introduces the cultural traits and patterns of contemporary Arab society based on scholarly research, recent field work, and personal experiences and observations in the Arab world. Taught in English; no knowledge of Arabic is required.

  • ARTR 3350

    Introduction to Arab Women's Literature
     Rating

    3.00

     Difficulty

    3.00

     GPA

    3.81

    Last Taught

    Spring 2025

    A comprehensive overview of contemporary Arab women's literature, this course examines all Arab women's literary genres starting from personal letters, memoirs, speeches, poetry, fiction, drama, to journalistic articles and interviews. Selected texts cover various geographic locales and theoretical perspectives. Special emphasis will be given to the issues of Arab female authorship, subjectivity theory, and to the question of Arab Feminism.

  • HIND 2010

    Intermediate Hindi
     Rating

    4.00

     Difficulty

    4.00

     GPA

    3.82

    Last Taught

    Fall 2025

    Introduction to various types of written and spoken Hindi; vocabulary building, idioms and problems of syntax; and conversation in Hindi. Prerequisite: HIND 1020 or equivalent.

  • HEBR 2020

    Intermediate Modern Hebrew
     Rating

     Difficulty

     GPA

    3.82

    Last Taught

    Spring 2026

    Prerequisite: HEBR 1020 with grade of C or above, or instructor permission.

  • ARAB 2250

    Conversational Arabic
     Rating

    3.83

     Difficulty

    3.00

     GPA

    3.82

    Last Taught

    Spring 2026

    Introduces students to spoken Arabic, with oral production highly emphasized. Prerequisite: ARAB 2020 or equivalent, or instructor permission.

  • HEBR 2010

    Intermediate Modern Hebrew
     Rating

     Difficulty

     GPA

    3.87

    Last Taught

    Fall 2025

    Continuation of the study of the fundamentals of grammar, with special attention to verb conjugation, noun declension, and syntactic structure, and their occurrence in texts which deal with modern Israeli culture and values. These texts, which include excerpts from newspapers and fiction, introduce 600 new words and expose the learner to political and other issues of modern Israel. Prerequisite: HEBR 1020 with grade of C or above, or instructor permission.

  • HEBR 1020

    Introduction to Modern Hebrew II
     Rating

    4.67

     Difficulty

    3.00

     GPA

    3.88

    Last Taught

    Spring 2026

    Prerequisite: HEBR 1010.

  • MESA 3380

    A Thousand and One Nights at the Cinema
     Rating

    4.67

     Difficulty

    2.00

     GPA

    3.89

    Last Taught

    Spring 2025

    This course is devoted to the longstanding screen histories of A Thousand and One Nights. We will investigate the way in which the text has variously congealed into a cinematic genre in its own right; a catapult for explorations of the fantastic, iterated as the wonders of technology/medium and sensuality; a contested site of negotiating Orientalist desires and stereotypes; and a platform for reflection upon the question of storytelling itself.