The course will concentrate on cinemas of Egypt, the Maghrib (Morocco, Algeria, Tunisia) as well as Syrian and Palestinian films. It will examine major moments in the history of these cinemas and the political developments that have inevitably had a major influence on filmmaking in the region.

New course in Middle Eastern Studies.

An introduction to the pronunciation, vocabulary, grammar, and writing system of modern Israeli Hebrew. By the end of this sequence students have mastered the core grammatical principles of Hebrew, along with a basic vocabulary of 1000 words, and they are able to read and understand simple texts and carry out simple conversation. Includes material on Israeli culture, history, and politics.

Prerequisite: for URDU 2020: URDU 2010 or equivalent.

"Transnational Circuits of Cinema: An Introduction to Middle East - South Asia Film History" - Since its very inception as a traveling fairground attraction, cinema has been a globally-circulating medium. This course begins in the moment of early cinema and proceeds through the contemporary moment, with a focus on Middle East - South Asia genealogies of filmmaking.

This course is an overview of the cultural dynamics as evident in the languages, literature and the arts from 2500BCE to the present. Drawing on a selection from the literary as well as writings on cultural history, miniature painting, music and cinema, the course will guide the students through the landmarks in the development of literature and the arts within a historical-cultural backdrop.

Survey of the Indian Ocean history from 8000 BCE to present. Includes rise of major religions in the area, dynamics of trade, including the influence of European expansion and the resistance to it.

This course focuses on the conjugation of weak, or hollow verbs, and the passive of all conjugations. It also continues the study of subordinate clauses with special attention to adverbial clauses and their use. Texts for the course, which form the basis for class discussion in Hebrew and exercises in Hebrew composition, are drawn from various genres. Prerequisite: HEBR 2020 or equivalent, or instructor permission.

This course reviews key milestones of the Israeli-Palestinian conflict throughout the lends of competitive sports in the MENA regions and in Israel in particular. The course examines sports¿ role in reflecting socio-political divisions of religion, gender, class and representation struggles, while serving political interests as part of culture and identity building, as well as its utilization as a platform for ethno-nationalist violence.

This course is devoted to the longstanding screen histories of A Thousand and One Nights. We will investigate the way in which the text has variously congealed into a cinematic genre in its own right; a catapult for explorations of the fantastic, iterated as the wonders of technology/medium and sensuality; a contested site of negotiating Orientalist desires and stereotypes; and a platform for reflection upon the question of storytelling itself.