What is love? How is it articulated? Is love devotion? What is passion? What are the different forms of desire? The object of desire may be human (male or female), divine, abstract or ambiguous; its defining trait is its inaccessibility. Poets through the ages have expressed love and devotion through language. We will read and ponder the poetics of love.

In this class we will conduct close readings (in Urdu!) of several of Masud's short fiction writings, and will discuss them in detail. There will be weekly assignments, a final take-home exam, and a final video project. Prerequisite: URDU 2020 or instructor permission.

This course offers a survey of Middle Eastern, North African, and South Asian American comic books, graphic novels, and graphic memoirs. Reading fiction and nonfiction comics, paired with academic and critical writing and other media, we will think critically about what it means for creators of different diasporas and differently marginalized identities to produce art for readers in the United States.

This course reviews key milestones of the Israeli-Palestinian conflict throughout the lends of competitive sports in the MENA regions and in Israel in particular. The course examines sports¿ role in reflecting socio-political divisions of religion, gender, class and representation struggles, while serving political interests as part of culture and identity building, as well as its utilization as a platform for ethno-nationalist violence.

This course is an introduction to major poets of Classical and Medieval Persian literature through learning about different poetic forms and genres, themes and topics, and motifs and images within the Persian literary canon by reading the works of poets from different centuries. We will also learn about these poets, their social lives, cultural changes, court affiliations, thoughts, and philosophies.

This course will approach the history of the Israeli-Palestinian conflict through the lens of literature and film. We will study memoirs, short stories, documentaries, and feature films in order to think about several broader historical themes, including: the relationship between religion and nationalism, the role of colonialism in the Middle East, the links between history and memory, and the meaning of homeland.

The primary purpose of this course is to explore the history and culture of the ancient Near East, focusing on Mesopotamia, Egypt, and Syria-Palestine, with emphasis on its cultural legacy. Considerable attention will be given to primary sources (Kramer, Arnold and others) and archaeological contributions (with slide illustrations).

This course aims to introduce students of third-year and fourth-year Arabic to Arabic poetry and culture through classical and contemporary songs. Many Arabic songs are taken from poems and they reflect different literary trends: romantic, religious, patriotic, Sufi, and contemplative poems. We will explore these poems, their impact on the Arabic collective unconscious, and cultural influence when turned into songs.

The course will concentrate on cinemas of Egypt, the Maghrib (Morocco, Algeria, Tunisia) as well as Syrian and Palestinian films. It will examine major moments in the history of these cinemas and the political developments that have inevitably had a major influence on filmmaking in the region.

In this course, we will examine how the current refugee crisis may be seen as a radical event of a scope that reaches beyond Europe and the Middle East. We will be looking at previously-shaped images of nation, religion, migration, and integration, as well as asylum, refuge, and citizenship. Ultimately, we will be using our newly gained knowledge as a tool to understand cultural inclusion and societal exclusion both "far away" and "at home."