In this course, students will learn about the major industries, organizational structures, and the primary positions within French and francophone businesses. They will gain experience in business research, will hone their oral and written French for use in a business-setting, will have practice job interviews, and will learn the practical aspects of living and working in French. Prerequisite: FREN 2020 or equivalent.

A focus on speaking, listening, and pronunciation. Activities include guided conversation practice, discussion leading, and other oral activities related to authentic materials in French. Work may include quizzes, presentations, reports, interviews, exams , and projects. Prerequisite: FREN 2020 or equivalent. Not intended for students who are native speakers of French or whose secondary education was in French schools.

In-depth studies investigations of cultural topics and research methodologies in French civilization and Francophone studies.

For students residing in the French House.

Introductory survey of French Cinema. Invites students to examine the history of filmmaking in France, from the invention of the medium to the present, all while developing an appreciation for film form. Class taught entirely in English (all films will be subtitled) and open to students from all schools across grounds.

An introductory survey of French and Francophone cultural production representing a variety of periods, genres, approaches, and media. Students will read, view, discuss, and practice interpreting and writing critically about a range of works that may include poetry, painting, prose, music, theater, films, graphic novels, photographs, essays, television shows, podcasts, and historical documents.

Werewolves, vampires, phantoms, and fairies inhabit French fables, legends, fairy tales, short stories, novels, and film. The course studies supernatural fictional creatures in relation to concepts of physical and moral beauty, animality, good, evil, comfort, fear, kindness, familiarity and the uncanny.

An exploration of a selection of poetry and prose works by Baudelaire to gain an in-depth understanding of one of the most celebrated poets in Western literature. Through close readings, we will examine poetry¿s relation to beauty and suffering, the structuring and de-structuring of poetic form, and the ethics of poetic modernity in Baudelaire in order to reflect more generally on what poetry affords us in life.

What is the good life, and what is a good life? Saints seem to live perfectly good lives, but stories about them often grapple with this question, encouraging audiences to think deeply about their own lives in ways that go beyond any one ethical system. Looking at old and new stories of parent-child struggles, spectacular sinning and redemption, gender transformation, and daily moral predicaments, we will explore what it means to live well.

This course is about imagining life and sensory experiences of colonized subjects witnessing a changing urban environment. For some cities, imagining its past is naturally inscribed in a continuation meticulously informed. For cities that have been victim of a colonial experience, this haunted past needs to be revived to recreate a perception of historical continuity in the space and a sense of spatial belonging.