French

Development of basic oral expression, listening and reading comprehension, and writing. Language laboratory work is required. Followed by FREN 1020. Prerequisite: Limited or no previous formal instruction in French.

Designed for students with an elementary knowledge of French. Further develops the skills of speaking, listening, comprehension, reading, and writing. Language laboratory work is required. Followed by FREN 2010. Prerequisite: FREN 1010 or one or two years of previous formal instruction in French and appropriate SAT score.

Reviews basic oral expression, listening, reading comprehension, and writing. Covers the material in the FREN 1010-1020 text in one semester at an accelerated pace. Language lab required followed by FREN 2010. Prerequisite: Previous background in French (more than two years of French in secondary school) and an achievement test score below 540 or a placement score below 378, or permission of the department.

Develops the skills of listening, speaking, reading, and writing. Focuses on reading skill development through readings on contemporary Francophone culture and short stories. Followed by FREN 2020. Prerequisite: FREN 1020 or one to three years of formal instruction in French and appropriate SAT score.

Designed for continued development of the four skills at an advanced level. Readings emphasize contemporary Francophone culture and include a modern French play. Prerequisite: FREN 2010 or one to three years of formal instruction in French and appropriate SAT score.

For students residing in the French House.

In this course, students explore and develop their own "voice" in written and spoken French. Through reading and viewing a variety of cultural artifacts in French, and completing a series of individual and collaborative creative projects, students will improve their skills in grammar, communication, self-expression and editing. Prerequisite: FREN 2020, 2320, or the equivalent, or appropriate AP, F-CAPE, or SAT score.

A focus on speaking, listening, and pronunciation. Activities include guided conversation practice, discussion leading, and other oral activities related to authentic materials in French. Work may include quizzes, presentations, reports, interviews, exams , and projects. Prerequisite: FREN 2020 or equivalent. Not intended for students who are native speakers of French or whose secondary education was in French schools.

In this course, students will learn about the major industries, organizational structures, and the primary positions within French and francophone businesses. They will gain experience in business research, will hone their oral and written French for use in a business-setting, will have practice job interviews, and will learn the practical aspects of living and working in French. Prerequisite: FREN 2020 or equivalent.

This workshop, taught in French, introduces students to the basics of film as a visual and narrative medium. Students will master both theoretical and practical skills through writing, directing, shooting and editing their own film. Students will bring fresh materials and ideas, and workshop the script as in a "writers room" situation. A hands-on class, students will learn to use the camera, lighting, sound recording, and editing software.

An introductory survey of French and Francophone cultural production representing a variety of periods, genres, approaches, and media. Students will read, view, discuss, and practice interpreting.

The social, political, economic, philosophical, and artistic developments in France from the Middle Ages to the French Revolution.

In this course we will read poems in French from a variety of writers and time periods, taking into account their stylistic features, emotional impact, and cultural resonance. Each day will be structured around the study of one key poem.Through in-class readings of related poems, writing workshops and secondary readings, we will explore how poetry brings us closer to words, language, knowledge, sensations, emotion, ourselves, and others.

Examines major works of sixteenth-century French literature situated in the larger historical and cultural context of the Continental Renaissance. Topics vary and may include, for example, humanism and reform, women writers, and urban culture. May be repeated for credit with different topics. Prerequisite: FREN 3032 and at least one FREN course numbered 3041 to 3043 (or instructor permission).

Advanced seminar in French and Francophone literature and culture. Topics vary. May be repeated for credit for different topics. Prerequisite: FREN 3031 and at least one literature or culture course beyond FREN 3040.

This course is about imagining life and sensory experiences of colonized subjects witnessing a changing urban environment. For some cities, imagining its past is naturally inscribed in a continuation meticulously informed. For cities that have been victim of a colonial experience, this haunted past needs to be revived to recreate a perception of historical continuity in the space and a sense of spatial belonging.

Normally, only French majors may enroll in this course and only by written permission from the department chair prior to the end of the first week of classes.

Preliminary research for thesis. Prerequisite: Admission to the Distinguished Majors Program.

Basic introduction to reading Old French, with consideration of its main dialects (Île-de-France, Picard, Anglo-Norman) and paleographical issues. May be taken in conjunction with FREN 5100 or independently. Taught in English.  Prerequisite:  Reading knowledge of modern French.

Topics may include genres (romance, poetry, hagiography, chanson de geste, allegory), themes (love, war, nature), single authors (Chrétien de Troyes, Machaut) and cultural and literary issues (gender, religion, authorship, rewritings).

Topics may include exoticism, reason and folly, libertinage, theater, Voltaire vs. Rousseau.

A range of analytical approaches to the study of cinema, including cinematographic language and structure, the representation of socio-cultural phenomena in film, and the experience of cinema viewing as a cultural and historical practice.

Introduces the pedagogical approaches currently practiced in second-language courses at the university level. Critically examines the theories underlying various methodologies, and their relation to teaching. Assignments include development and critique of pedagogical material; peer observation and analysis; and a final teaching portfolio project.

Topics may include genres (romance, poetry, hagiography, chanson de geste, allegory), themes (love, war, nature), single authors (Chrétien de Troyes, Machaut) and cultural and literary issues (gender, religion, authorship, rewritings).

(a) Voltaire. (b) Diderot. (c) Theater. (d) Novel. (e) Rousseau. (f) Marivaux.